The Third Man (Carol Reed, 1949)
Cabaret (Bob Fosse, 1972)
Citizen Kane (Orson Welles, 1941)
City Lights (Chaplin, 1933)
The General (Buster Keaton, 19??)
Dr. Strangelove (Kubrick, 1961)
Midnight Cowboy (Schlesinger,1969)
The Graduate (Mike Nichols, 1969)
The Godfather (Coppolla, 1972)
Kagemusha (Akira Kurasawa, 1980)
The Pawnbroker (Lumet, 1965)
Duck Soup (Leo McCarey, 1933)
The General (Buster Keaton, 1925)
Leolo (Lauzon, 1995)
The Seventh Seal (Bergman, 1957)
The Day the Earth Stood Still (Robert Wise, 1951)
McCabe and Mrs. Miller (Robert Altman, 197?)
Crimes and Misdemeanors (Woody Allen, 1989)
Metropolis (Lang, 1926)
Red, White, Blue: Three Colours - the Trilogy by Kieslowski)
Rashomon (Akira Kurasawa, 1950)
Klute (Alan Pakula, 1971)
Bonnie and Clyde (1967)
Heavenly Creatures (1993?)
Bill's Top 25 Movies

To make Bill's Top 25, a movie has to have three things going for it:

1. it is artistically original and innovative, or an outstanding consummation of a particular approach to film art.
2. it has a significant place in the history of film and/or of society
3. it has something important to say about the human condition

Most of these films do not display all three traits in equal measure. The Third Man, for example, was not a powerfully influential film, but it was outstanding in the other two categories. The General is not as profound a film as, say, Roshomon, but it is a consummate expression of all that was great about the silent era, and it is wildly inventive.

I don't believe in limiting yourself to a prescribed list of rated movies. So why a "top 25"? For people who haven't spent a lot of time looking into the history of cinema or reading reviews but who would like to make sure they've seen all of the most important ones. Even if you disagree with some of my selections, I don't think you could dispute the fact that these are among the most important films ever made. More importantly, they are worth seeing.

(c) Copyright 1997 Bill Van Dyk

 "Virtue that sleeps awakes refreshed". Nietzche