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More Lyrics from "One of These Days"
One of these days it will soon
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Someday Soon (Judy Collins, 1968) Surprise-- to me. These songs were recorded only seven years apart and both are by strong, independent female artists, and both are unusually polished and crisp recordings with outstanding session musicians. They even have similar intros, one with steel guitar, one with electric. And they are both about women on the cusp of breaking out. But Judy Collins is waiting for her man to make her life happen; Emmy Lou Harris is about to make it happen for herself. Both feel constricted by their families, and can't wait to leave and stretch out their minds, if not their bodies. I won't have to chop no wood My father says that he will leave me crying Judy Collins was a soulful interpreter of great songs by the outstanding singer- songwriters of the 60's, Dylan, Cohen, Rush, Ian Tyson. She was a romantic, and I personally found her a bit suffocating at times-- too many whale songs and saturated memories of dreamy trips to Paris or smudgy interior emotional landscapes. Emmy Lou Harris leaned a bit to country, and added some memorable background vocals to Gram Parsons, Neil Young, and Dylan. Her songs are always tasteful and restrained-- she resisted the temptations that made very good singers like Dolly Parton and Loretta Lynn go very bad. Might be a woman that's dressed in black Unlike Collins, the narrator of "One of These Days" isn't counting on being rescued by some man. She's going to break out on her own, and be her own person. Collins' narrator is waiting for her cowboy to come so she can follow him wherever he goes. Okay-- the song was written by a man, Ian Tyson, after all, whose woman, Sylvia Fricker, eventually chose not to follow anymore. In fact, Sylvia Tyson basically decided she could be "any way that I feel" and went to work for the CBC in Toronto while Ian cooled his cowboy heels at his ranch in Alberta, writing soulful ballads about how wonderful it was to ride your horse, look at the mountains, and live alone. So should I add Sylvia Fricker's "River Road", another fine song about escape, into the mix? Here I go, once again
Once again, like Harris, she isn't waiting around for the cowboy. There's an odd verse in "River Road": Well I married a pretty good man
When I heard that line, I immediately thought, "the man is real". She's talking about someone real, whom she knows will hear the song-- he's "pretty good", and she pulls her punches: she has leaving "on her mind" these days... This isn't The Dixie Chicks' "Earl". When I get that urge to run
I'm just like a kid again
And we can add one more: Lucinda Williams' "Side of the Road". The narrator tells her man to pull over, she needs to get out of the car and stand in the tall wet grass and be alone--. I wanna know you're there,
but I wanna stand alone Okay -- two more: isn't the marvelous "Anchorage" by Michelle Shocked really about the same thing, contrasting two women who made different choices? Her friend: Hey, 'Chell, I think I'm a housewife... But the narrator:
Copyright © 2007 Bill Van Dyk All rights reserved. |
March 23, 2007 Best Looking Earnest Female Folk Singer Primarily Known as Interpreter of Other People's Great Songs: 1. Emmy Lou Harris Best Looking Female Folk Singer Songwriter: 1. Fiona Apple Least Best Looking Folk Singer
Song-writer:
The Man's Perspective: Runaway, by Del Shannon. If he doesn't know why why why she left, he should listen carefully to the three songs discussed here. |
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